As the '80s drew to a close, Todd Rundgren turned over a new leaf with his first album recorded specifically for Warner Bros. Not long after the release of A Cappella, he separated from Bearsville and disbanded Utopia, choosing to embark on a few years as a producer and session man. He finally returned with Nearly Human, his first album of new material in four years. Song for song, Nearly Human is his best record since The Hermit of Mink Hollow, since not only is the bulk of the album filled with charging blue-eyed soul like "The Want of a Nail" or sweet ballads like "Parallel Lines," but because there are no novelties and the cover choice (Elvis Costello's "Two Little Hitlers") is fresh and surprising. Nearly Human finds Rundgren at the top of his game as a performer, producer and songwriter, sustaining his momentum in a way he hadn't for nearly a full decade.
1 The Want of a Nail
2 The Waiting Game
3 Parallel Lines
4 Two Little Hitlers
5 Can't Stop Running
6 Unloved Children
7 Fidelity
8 Feel It
9 Hawking
10 I Love My Life
- Code:
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